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Is It Wise to Pitch a Previously-Published Book to a New Publisher?
Irene Watson
Creating Suspension of Disbelief for Sci-Fi and Fantasy ![]()
Irene Watson
Fiction - Novella, Sci-Fi, Anthology
Remnant: An Anthology
Roland Allnach
Fiction - Novel, Life, Music
Hope[less]: A Novel
C.O.B
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First Place Winner in General Fiction
The Valley of Ashes
Eli Thorpe
Second Place Winner in General Fiction
Afriation Phobia: A Psycho-phobic Novel
Richard Bird Baker
Nonfiction - Business
Lofty Pursuits: Repairing the World One Building at a Time
Mark Richard Schuster
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Steven M. Ayer
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ISBN 9781452095295
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Irene Watson
I got this email recently:
I self-published my book several years ago but many of those that read the book think it should be published by one of the major publishing houses. How do I get the attention of a publisher?
Many self-published authors, or those using self-publishing or subsidy firms, feel they could get a great their break if they self-publish first and then get a traditional publisher. After all, many did. Take for example Mark Twain, John Grisham, James Redfield, Jack Canfield and Mark Victor Hansen, Beatrix Potter and many others. Their works have sold millions of copies and became best sellers. Many were picked up by major publishing houses but many continue to self-publish.
I believe it's tough to re-sell a book that has been published already. Many traditional publishers feel that the self-published book has already reached its audience; in most cases this is less than 200. According to an article in The New York Times:
For many self-published authors, the niche is very small. Mr. Weiss of Author Solutions [iUniverse, AuthorHouse, Xlibris, and about 5 other imprints] estimates that the average number of copies sold of titles published through one of its brands is just 150.
In many other cases the book just isn't worth publishing or let alone reading. The same article says:
Diamonds in the rough, though, remain the outliers. “For every thousand titles that get self-published, maybe there’s two that should have been published,” said Cathy Langer, lead buyer for the Tattered Cover bookstores in Denver, who said she had been inundated by requests from self-published authors to sell their books. “People think that just because they’ve written something, there’s a market for it. It’s not true.”
And, I can't help but wholeheartedly agree with Ms. Langer except the fact that I would say only 20% shouldn't have published at all; that is, from what passes over my desk and often straight into the recycle bin. Those don't make the grade of being listed for review. Many books aren't even worth donating to the library or charity. Yes...really, they are that bad. My percentage is probably less because Tattered Cover gets more authors sending books in for consideration because the ultimate dream is to get the book into a bookstore. Many authors don't even know there is such a thing as a review, let alone how to find a reviewer. Yes...really.
Norm Goldman from BookPleasures.com, when asked how many books he rejects upfront, claims that about 10% are not readable. He also says "Personally, I chuck the book aside if after the first 50 pages the book is a disaster, and this includes books received as part of my Priority Review Service." I asked Ellen Feld of FeatheredQuill.com the same question and she said "Outright reject? Not many, I'd say less than 5%. However, about 40% of self-pub (slightly higher for subsidy - maybe 50/60% and guessing this is because the author assumes the subsidy is taking care of it) have some editorial problems that Joe Buying Public would find annoying. We mention these problems in our reviews but don't outright reject the book - the quality isn't so bad as to demand rejection."
Back to pitching to a big publishing house. If you choose to contact a traditional publisher, either major or a small press, one thing you can't hide is that your book was previously published. I've heard of authors being advised (by so called experts) that if they change 10% of the content it becomes a new book. Others advise 20 to 40 percent. Not. It's still the same book. If the publisher finds out that you are being deceptive it is doubtful that you will get your second foot in the door. Your credibility will out the door along with you.
So, what do you do?
One thing is you can completely rewrite the book and actually make it new work. But, ethically, you still need to let the publisher know about the first version. Or, you can be honest and admit that your book was published by an amateurish self-publishing firm that didn't support distribution, or you can admit that you self-published and didn't know what you were doing.
That latter will have to be done from integrity and put the ego aside. You could admit the sales were extremely low because of bad marketing strategies on your part. This would imply that, although the book has been published, it really didn't populate the market. However, you will also have to admit that you learned a lot and present the potential publisher with an extremely strong marketing plan with a substantial amount of marketing funds on hand - your funds, not the publisher's funds. The publisher has to feel confident that you can actually execute the marketing of the book, because, after all, publishers are in business and they make money from the sale of your book. That's how they pay for their mortgages. You have to prove to them that you are worth the risk to output money on their part. They will be expecting a high return on their investment and you have to prove you can net this return to them. In the end, it ends up not about the book but how well you can market it. If you weren't able to the first time around why would anyone assume you could the second time around?
I want to know your thoughts on this topic. Do you have any experiences to share? Do you have advice for authors? I'd like to hear from you here.
Fiction - Novella, Sci-Fi, Anthology
Roland Allnach
All Things That Matter Press (2010)
ISBN 9780984629701
Reviewed by Richard R. Blake for Reader Views (6/11)
Remnant, by author Roland Allnach, is an anthology consisting of three stories within the speculative/science fiction genres. The stories are linked in theme by characters seeking self-truth, redemption, and their moral center. The three novellas, in order of appearance in the anthology, are: All the Fallen Angels, in which a convicted war criminal attempts to make peace with his past; Enemy, I Know You Not, in which a military officer that was captured and tortured tries to find his loyalty in an abyss of suspected betrayals; and Remnant, in which the survivor of a global pandemic is confronted with the prospect of making peace with his memories when other survivors attempt to bring him back from self-imposed isolation.
Fiction - Novel, Life, Music
C.O.B
Grey Line Press (2010)
ISBN 9780983002802
Reviewed by April Sullivan for Reader Views (6/11)
Hope[less], C.O.B.’s first novel, tells a passionate story about two young musicians. Until their meeting, KJ believed in nothing except his saxophone and Lorraine only believed in the passing of time. After a tragic accident, the two young adults discover the worth of their love and the toll they are willing to pay to prove their love for one another. Running to escape their agony, the two teenagers are found by strangers who become their guardians in Philadelphia. Eventually finding a place to live in New York, they drift further apart through the passing years. Losing their family once again, KJ and Lorraine must find their way back home before losing each other.
First Place Winner in General Fiction

Outskirts Press (2010)
ISBN 9781432760199
Eli Thorpe grew up in eastern Pennsylvania, and after high school wandered around the northeast in a variety of jobs. He eventually went to college and began a career in journalism, before going back to school once again and becoming a teacher. Along the way to publication, he has been a teacher, writer, photographer, newspaperman, theatre technician, cook, bartender, bouncer, roadie, and dishwasher, among other things. He has been writing short stories for many years, and hopes to put out a collection of stories in the near future. An essentially private person, he currently lives in a small New England town with his wife of 14 years, his two children, and cats. When not writing, he continues to work in theatre, photography, and to tend his rosebushes.
Synopsis: As The Valley of Ashes opens, the world holds no concerns for the teenage characters and their friends. They generally see their lives assecure, knowing that they will move ahead either into college or the steel mills. Partying is all that concerns them. But as they graduate into a city of disappearing jobs in the mid-70s, the partying becomes more desperate. Violence emerges from the world of sex, and drugs. The steel industry that has supported the city for over 100 years is dying, and as it does, it takes security with it.
Second Place Winner in General Fiction

iUniverse (2010)
ISBN 9781450209588
Synopsis: Afriation Phobia by author Richard Bird Baker is perhaps the most unique novel you will ever read. It contains no conventional narrative. The voice that delivers the plot and its messages is the voice the main character constantly hears in his head. The voice constantly speaks in short imperatives, and often separates into two bickering voices. Presenting this mental condition requires second-person writing, something rarely found in fiction.
An afriation is an organization or institution that forces one to constantly associate with people one wouldn't choose for company. This novel's main character is not an easy person to like, but is very easy to empathize with. This mentally unsound individual has an excessive fear of "afriats," people we are forced to interact with via an afriation. As a result, he is often a homeless transient feeling forced into being either a trespasser or a vagrant.
The "voice" in our character's mind carries you with him hitchhiking on freeways, hopping freight trains, struggling with employment in a conventional afriation, side-stepping civilization, and going to jail. It follows his thought processes as tension leads to a mental collapse.
This novel is more than a typical action fiction. It presents a unique and valuable insight into our social structure that is yet to be dealt with by social scientists, one that is based on the types of social interactions we encounter.
Mark Richard Schuster
Brown Books Publishing Group (2010)
ISBN 9781934812730
Reviewed by Kathleen Dowdell for Reader Views (12/10)
Lofty Pursuits is a journey of success built the old-fashioned way: through perseverance and hard work. Over the course of twenty-five years, Seattle real estate developer Mark Schuster went from scrubbing toilets to building a multi-million dollar real estate investment business and, in the course of doing so, pioneered and developed the most nationally acclaimed, environmentally conscious residential high-rise building of 2008, Mosler Lofts.
Early in his career, Mark had vowed to erect an iconic building, a building worthy of honoring his grandfather, George Mosler. The completion of Mosler Lofts fulfilled that dream and, in the end, much more. Mosler Lofts not only became a landmark expression of innovative design and green building practices but also the catalyst of expressing what Mark describes as the three pillars of sustainability. Lofty Pursuits is about honoring family legacy, designing and managing our businesses for future generations, and about making a positive impact on the social challenges facing humanity.
In a blend of personal stories and business lessons, Mark takes the reader on an exploration of the true meaning of sustainability and how each of us, in our own way, given enough determination, can help save our planet one building at a time. An inspiration of environmental stewardship, business savvy, and meaningful memoir, Lofty Pursuits will change the way you approach your life, at home and at work, while inspiring you to take part in repairing the world.