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Copyright Issues: What Most Authors Don't Know and Publishers Don't Tell Them
Irene Watson
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Irene Watson
Fiction - Sci-Fi, Fantasy, Novel
Ambrosia: Weapons Underworld
Robin Sutton
Fiction - History, Military, War
Blood Lily
Mason Cranswick
Nonfiction - Self Help, Health, Body
It’s Your Choice! Decisions That Will Change Your Life
Marjorie McKinnon
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Perceptive Marketing Book Award for the Best Nonfiction Book of the Year
Indigo Awakening
Dr. Janine Talty
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Take me back to top of newsletter
Irene Watson
Every year, when we put out a call for entries for our Literary Awards Program I get emails similar to the one I just got:
Each year I attempt to enter your contest, but I can't do so even though I have two books that have been published. I want to enter my second book since the final edited version of my book was copyrighted and published on 2/18/10. However, it doesn't say it on the book because I copyrighted the draft at the end of the year 2009. I even have the final copyright documents from the U. S. Copyright office that I can send with the book to prove it. It's just too much trouble to have my publisher update this information in my book, then wait to get the book redistributed with the information, and I'm unsure how much this will cost me just to enter one contest I may not win. Why does your company make it so hard for poor, thriving authors who are just trying to get know?
My response to this author was:
It isn't our intent to make it hard for anyone. We have to set guidelines and that's what we've set. [Books must have 2010 copyright date. (Copyright date is on the copyright page of the printed book.) ] It's unfortunate your publisher didn't tell you to copyright the book for the following year. Many traditional publishers copyright the books for the following year if the book is published during the last quarter of the year. They never copyright the book during the last quarter of the present year. In fact, we are already getting books for review that are copyrighted for 2011. [e.g. Words of a Journey. This book was released in mid-August but has a copyright date of 2011.]
The author responded with:
I uploaded the unedited version electronically before I shopped my book to a publisher. Are you saying that I can choose the year in which I want my book copyrighted when I electronically copyright my draft?
The book was suppose to be released in 12/09. But due to delays and the holidays, it didn't get released until 2010. But my publisher still keep the 2009 date on the publisher's page and I didn't know that it was something I should have insisted be updated.
Yikes! First of all, let's do some thinking. Aside from our strict rules that the book must be copyrighted in the current year, any book that is published/released with a copyright of 2009 in December of 2009, will automatically become "last year's book" on January 1st, 2010. Readers want "current" books and with a million titles published yearly they will seek out those that are new titles.
The unfortunate part is that many authors don't even consider this as an issue. And, many publishers aren't aware either, especially when it comes to some vanity/subsidy publishers. Their main thrust is to get the books published and suggesting things like this to authors is not in their radar field. Many are just printers disguised as publishers and don't have personal contact with the authors, and certainly not to advise them of things like changing the copyright date. Others hire cheap off-shore staff that only answer questions with script.
So, like the author mentioned above, many go on thinking they were doing the right thing and turning the blame on us, that set rules/guidelines, indicating we are unfair to new authors. Maybe so, however, no one else can be responsible for the authors' lack of research but the authors themselves. Saying "I didn't know" doesn't fly in the age of the world wide web where we can find anything and everything searchable.
The publishers that are aware of copyright dating and work with the authors to get as much mileage for the books as possible don't even publish books in the last quarter of the year. Any authors that want to capture the holiday season sales should have had their books published in August or by mid-September with a full-fledged marketing campaign in place and flowing by the end of September or earlier. "Christmas in July" isn't just a term loosely used, it's reality - this is when the holiday season starts in the buying industry.
Bottom line: If releasing your book in the last half or quarter of the year, copyright it for the following year. Give your book the added advantage of it being a "new title" for an extra year.
Comments? I'd like to hear from you here.
Fiction - Sci-Fi, Fantasy, Novel
Robin Sutton
The Robin’s Nest Books (2009)
ISBN 9780975509821
Reviewed by Paige Lovitt for Reader Views (08/10)
After spending years researching and pondering the story of Atlantis, author Robin Sutton has created a novel based around her own unique theory that the Atlanteans survived in the ocean, developed advanced technology to live underwater, and built the city of Ambrosia. The Bermuda Triangle’s mysteries can be explained by the superior technology of the Atlanteans and their efforts to protect their identity. That is—until one Ambrosian decides he wants to create a trade agreement with the land dwellers.
Ambrosia: Weapons Underworld is a dynamic blend of fantasy and mythology combined with science-fiction technology. Readers are taken on an imaginative deep-sea adventure so compelling they will find it difficult to stop reading to come up for air. Robin Sutton delights in the unexpected; she refuses to write formulaic novels and instead keeps her readers guessing on every page. With vivid descriptions, imaginative technological marvels, and a startling revelation about one of earth’s greatest mysteries, Ambrosia: Weapons Underworld will both satisfy readers and leave them wanting more.
Fiction - History, Military, War
Mason Cranswick
30 Degrees South (2010)
ISBN 9780958489195
Reviewed by Richard R. Blake for Reader Views (08/10)
In 1970s Rhodesia, a privileged white boy, Scott, is best friends with a black boy named Simba on his parents’ farm. As Rhodesia transforms itself violently from a British colony to an independent nation renamed Zimbabwe, loyalties and friendships are called into question. Violence, a lust for personal revenge that leads to self-destruction, and the resilience of a war-torn land all makes Mason Cranswick’s Blood Lily an inspiring, informative, and unforgetful look into the devastation of war and the power of friendship.
Blood Lily is told through the eyes of Scott, who witnesses his privileged white world destroyed as British rule is shook off by a struggle for local white-minority rule and the black population’s resistance to it. While readers may sympathize with Scott, other characters’ voices provide multiple viewpoints about the war. Most notable is a powerful scene where Scott and Simba confront each other at Cambridge University about what the war and the past really mean. Battle scenes, depictions of beret training, and even graphic torture episodes transform the violence, pain, and disaster of war into a realistic experience for readers.
Nonfiction - Self Help, Health, Body
Marjorie McKinnon
Loving Healing Press (2010)
ISBN 9781615990443
Reviewed by Paige Lovitt for Reader Views (08/10)
It's Your Choice! Decisions That Will Change Your Life is a work of personal discovery. Marjorie Mckinnon shows you how to create a perfect world through positive growth in what she calls the six dimensions: mental, emotional, physical, spiritual, social, and financial. She illustrates how all six-dimensions work together like an orchestra. Told in simple, practical language. McKinnon encourages the readers to have faith in themselves, the kind of faith needed to make healthy changes.
Perceptive Marketing Book Award for the Best Nonfiction Book of the Year

Energy Psychology Press (2009)
ISBN 9781600700637
Janine Talty is board certified in Family Medicine by the AmericanCollege of Osteopathic Family Physicians. She specializes in clinical biomechanics, orthopedic medicine, and Osteopathic manipulative medicine. She holds two masters degrees. The first is in the field of Public Health, double majoring in Health Resources Management and Community Health Science, from the University of Illinois at Chicago, School of Public Health. The second is in Clinical Biomechanics, from Michigan State University, College of Osteopathic Medicine. Dr Talty attended medical school at Des Moines University and completed her internship and residency in Family Medicine and fellowship in Clinical Biomechanics at Michigan State University.
Synopsis: Dr. Janine Talty, as a child found herself bewildered by a world full of challenges that she could not understand. She felt isolated, unable to cope with the regular life issues that other children managed easily. She could not comprehend math or spelling—yet she could see energies that others could not see, and had levels of awareness than no-one around her possessed.
Indigo Awakening is the inspiring story of how she overcomes these challenges, finds her voice and identity, and discovers a channel for her healing abilities as an osteopathic physician. She speaks directly to the experience of fellow indigos, and shows them that some of their biggest challenges can be their most powerful gifts. She reveals that much of our personal physical suffering is actually clearing the way for human transformation, and that there is meaning and purpose to the events in our lives—even when we can't see this.